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Personal Photography Travels

[2900] Shoot it, or not

The digital life is oppressive sometimes. Because we are now able to record every single second of our life, some of us are in constant fear leaving any moment left unrecorded. So much so that we have become slaves to our digital memory, and failed to enjoy the moment itself without any assistance lfrom our digital devices. I am hardly different, though I would like to think I try to fight off such urge.

To get to Antalya on the Turkish Mediterranean from Konya deep within Turkey, the bus I was on needed to pass through the Taurus Mountains. I have read about the Taurus Mountains as a child, just as I have read about the Urals, the Himalayas, the Andes and the Rockies. To be there in the Turkish plains seeing the mountain range with my own eyes was somewhat unbelievable upon reflection. The ten years old me whom had read about it in encyclopedia and on maps would have never imagined he would one day see it for himself.

Konya, as I learned latter, Iconium during the Roman days, is located at the foot of grand mountain ranges, with mountain peaks of names I do not know off without further research. As I spotted the various peaks from my hotel window, I told myself I wanted to know their names. I quickly abandoned the exercise for fear I would be prioritizing the wrong thing: I am here in Konya, and I should be experiencing it rather than researching about mountains on the horizon. It did not help that Wikipedia was banned in Turkey.

Looking north from my bed, I remember three peaks the most. The highest had its top covered with snow. It was December after all. The other two peaks were much shorter but located nearer to me, with cup-like shape turned upside down. All were barren, with earth exposed with rocks littered its cliff, at least as far as I could tell peeking through my camera’s viewfinder equipped with a small zoom lens, pretending I was some kind of explorers, readying for the mountains.

Looking north of Konya

Konya felt like it was on the edge of a desert, with a more mundane landscape compared to Goreme in Cappadocia with its deeply Christian history that reaches to more than 900 years back into history.

But the view from Konya was nothing compared to the view from the road towards Antalya to the southwest.

The journey began tamely. The road ran on flat land southward before swerving eastward into the Taurus. Taurus means the Bull in Latin, and the Bull is the symbol of the Storm God. The mountains were named so because the ancients believed the rains brought by the Storm God created the Tigris and the Euphrates, which originated from these mountains.

The approach towards the Taurus from Konya was not as dramatic as the one I experienced in Laos. Back there, the flat land would suddenly be confronted by the mighty Himalayas. Back in Vang Vieng in Laos, a wall of one, two, three or even four kilometer high would stare you down, enquiring the puny you of your rights to be there. Here at the foot of the Taurus, the ascend was gradual and it betrayed little early on. Maybe because, I was already within the mountain complex, except I did not realize it.

So I had my camera switched off, and kept tightly inside my bag as the bus began to work its way to the Mediterranean. As the bus climbed up gently, my view was kept in check by the hills on my sides. Except quite quickly, those hills on my sides soared up into the sky, suddenly transforming into mountains with snow caps. Shallow valleys became chasms, slopes became cliffs, and daytime turned dark as the mountains blocked the sun.

I knew my camera was in my bag. I wanted to take them out. I really did. But in my mind, if I did so, I would miss something with my own eyes. And each corner revealed even more dramatic view, and even higher mountains out in the distance, and they would vanish within seconds as the trees and the rocks and the hills moved around, blocking my lines of sight. I dared not spend a minute taking my camera out. I could not take it.

And… I took my camera out and began shooting from my seat.

The pictures turned out crappy. But the memory in my head turned out just fine. Maybe for the next 30 or 50 years. We will see.